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Drop your humble brags here.
Hi All!
This one features a few who are part of the Rev community here. Specifically: Mighty Nice -
Darren Price
, State -
Marcel Ziul
, Spillt -
Ed Rhine
- and if anyone else is here please shout out! 💪
Substance has produced the TEDxSydney opening animations and event graphics for the past few years now. For 2020, we opened this up to a global collaboration. 10 of the world's best motion studios and almost as many sound designers came together, with animations combining to form the opening titles (scored by Ambrose Yu). Animations also functioned as idents played throughout the TED event, with each having new and unique sound and music.
Everyone involved put in a huge effort for this collab, and that's what made this truly special. ❤️ Getting to know more of the people behind these studios through the dedicated project Slack was a huge positive in a crazy year.
We would love to have your eyeballs on this! The Behance has more detail - titles, idents, and some process. Thanks! 🙏
https://bit.ly/TEDxSyd20Behance
This one features a few who are part of the Rev community here. Specifically: Mighty Nice -
Substance has produced the TEDxSydney opening animations and event graphics for the past few years now. For 2020, we opened this up to a global collaboration. 10 of the world's best motion studios and almost as many sound designers came together, with animations combining to form the opening titles (scored by Ambrose Yu). Animations also functioned as idents played throughout the TED event, with each having new and unique sound and music.
Everyone involved put in a huge effort for this collab, and that's what made this truly special. ❤️ Getting to know more of the people behind these studios through the dedicated project Slack was a huge positive in a crazy year.
We would love to have your eyeballs on this! The Behance has more detail - titles, idents, and some process. Thanks! 🙏
https://bit.ly/TEDxSyd20Behance
Mindblowing – precisely what I've been dying to see from the motion design industry for ages: studios flexing their creative voice and vision for the purposes of something other than ephemeral ad fodder.
This legitimately is a shot across the bow at people who think motion design is solely defined as work-for-hire to sell stuff no one wants. The looks, the emotion, the storytelling? This is motion design's ANIMATRIX or LOVE, DEATH, and ROBOTS is miniature form.
This legitimately is a shot across the bow at people who think motion design is solely defined as work-for-hire to sell stuff no one wants. The looks, the emotion, the storytelling? This is motion design's ANIMATRIX or LOVE, DEATH, and ROBOTS is miniature form.
After a year of planning, the time has come. I’m excited and proud to launch PRØFANITY Creative (profanity.tv).
PRØFANITY Creative provides world-class animation and 3D product visualization solutions for the Lifestyle and Outdoor industries.
We pride ourselves on using cutting edge CGI technology to produce visually stimulating 2D and 3D animations to enhance how your product is presented in the market. It's our goal to make your vision into a reality with captivating visuals that is authentic to your brand.
2020 was an insane year. But the silver lining was that we created our best work yet. Major shout out to all of our clients, new and old, that partnered with us and are part of the PRØFANITY family. We are incredibly excited to see where the new year takes us. Stay happy and healthy friends. Cheers to 2021!
P.S.: I want to say THANK YOU to Joel, Tim, and everyone here who has given me guidance and confidence to bring this to life. ✌️
PRØFANITY Creative provides world-class animation and 3D product visualization solutions for the Lifestyle and Outdoor industries.
We pride ourselves on using cutting edge CGI technology to produce visually stimulating 2D and 3D animations to enhance how your product is presented in the market. It's our goal to make your vision into a reality with captivating visuals that is authentic to your brand.
2020 was an insane year. But the silver lining was that we created our best work yet. Major shout out to all of our clients, new and old, that partnered with us and are part of the PRØFANITY family. We are incredibly excited to see where the new year takes us. Stay happy and healthy friends. Cheers to 2021!
P.S.: I want to say THANK YOU to Joel, Tim, and everyone here who has given me guidance and confidence to bring this to life. ✌️
This is dope Mark – I love seeing a reel and a studio focused on a market not just on the clients needs for deliverables but also on a vibe that you can tell the studio loves.
The name is wicked and attention-getting as is the mark; I can't wait to see further expressions of it as the company grows and evolves!
Also, where do I get some PR0FANE merch?!?
The name is wicked and attention-getting as is the mark; I can't wait to see further expressions of it as the company grows and evolves!
Also, where do I get some PR0FANE merch?!?
· 1 reply
Congrats to all the winners. And hats off to everyone at Motionographer for a successful Motion Awards LIVE. This was a lot of fun...
Here's some of our latest work, not yet on the website:
https://twitter.com/haunting/status/1312044671997300736
https://twitter.com/haunting/status/1312044671997300736
I'm always proud when one of my clients is recognized by the industry...
Congrats to
Matt Guastaferro
and his team at HUGO for the Promax Award for their A&E holiday IDs. Here is one of them, hopefully Matt can post the others once they are released for public consumption:
Congrats to
Hey all, wanted to share this piece we did for Wines of Chile. It's a few years old, but really encapsulates what I love about this medium - having to think outside the box to figure out how to create something completely new and built from live action elements. Much as I love what computers can do, there is something beautiful about the chaos and the unexpected that happen in the real world.
Director Aaron Hartshorn meticulously pre-planned the spot using storyboards and a 3D previz. We then spent two days at the local fire training ground with special effects team Jim Milligan and Oscar winner Tim Drnec testing various squib sizes & placement, liquid viscosities, bottle placement, etc. Director of Photography Jimmy Matlosz and Phantom tech Patrick McGraw came out to Denver from LA and brought their extensive experience shooting high speed. Production Designer Eowyn Mishawn and our amazing art department team created both the 'before' set and the 'after' set, as well as custom painted bottles, liquids of various colors and viscosities, and a table with a custom machined, 500lb steel top to prevent wobble and to keep the explosives from destroying the table.
The spot was given an original music score by Boulder's Coupe Studios, and color was finished at Company 3 in LA.
Very proud of how this one turned out.
Hey all, wanted to share this piece we did for Wines of Chile. It's a few years old, but really encapsulates what I love about this medium - having to think outside the box to figure out how to create something completely new and built from live action elements. Much as I love what computers can do, there is something beautiful about the chaos and the unexpected that happen in the real world.
Director Aaron Hartshorn meticulously pre-planned the spot using storyboards and a 3D previz. We then spent two days at the local fire training ground with special effects team Jim Milligan and Oscar winner Tim Drnec testing various squib sizes & placement, liquid viscosities, bottle placement, etc. Director of Photography Jimmy Matlosz and Phantom tech Patrick McGraw came out to Denver from LA and brought their extensive experience shooting high speed. Production Designer Eowyn Mishawn and our amazing art department team created both the 'before' set and the 'after' set, as well as custom painted bottles, liquids of various colors and viscosities, and a table with a custom machined, 500lb steel top to prevent wobble and to keep the explosives from destroying the table.
The spot was given an original music score by Boulder's Coupe Studios, and color was finished at Company 3 in LA.
Very proud of how this one turned out.
This was a really cool one we helped bring to life for Coca-Cola and Twitch. The idea was to be disruptive and trippy as an eyecatching branded break between Twitch streams. My favorite part though by far was working with our team members around the world spread across at least 5-6 countries to get these done.
